Food writer Molly / THU 1-15-26 / Idiomatic partner of "lose" / Brief letters? / Oft-quoted advice in Matthew 7:7 / Sol, but not Luna / Shiny little platters / Subject of astrobiology, in brief
Thursday, January 15, 2026
Constructor: Wendy L. Brandes and Barbara Lin
Relative difficulty: The Easiest Thursday I've Ever Done (or close to it)
Theme answers:
- SEEK AND YE SHALL FIND (18A: *Oft-quoted advice in Matthew 7:7)
- ALL DAY EVERY DAY (28A: *24/7/365)
- FAMILY GAME NIGHT (47A: *Evening spent playing with the kids, say)
Molly O'Neill (9 Oct 1952, Columbus, Ohio - 16 Jun 2019) was an American food writer, cookbook author, and journalist, perhaps best known for her food column in The New York Times Sunday Magazine and Style section throughout the 1990s.
O'Neill was born and grew up in Columbus, Ohio, the only girl in a family with five brothers born to Charles and Virginia O'Neill. In her 2006 memoir, she describes the family's strong interest in baseball. Her father had been a minor league pitcher before working for North American Aviation and later running an excavation business. Her younger brother Paul O'Neill became an outfielder for the Cincinnati Reds and the New York Yankees. (wikipedia)
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| [The Upturned Microscope] |
Bullets:
- 1A: Cattle calls (MOOS) — watched Howard Hawks's Red River (1948) earlier this week. Lots of cattle in that one. Lots. Like, oceans of cattle. The whole premise of the movie appears to be "people will like watching the spectacle of cattle ... moving ... over land." I'm sure this played well on the big screen in the late '40s, but on the small screen in the mid '20s ... meh. It was obviously an impressive and elaborate feat of film-making—cattle choreography—but it just wasn't that exciting to me. I did like watching John Wayne and Montgomery Clift clash—this is the movie where John Wayne first leaned into darkness. He's pretty much the "bad guy" of the film. Clift keeps trying to save him from himself, but Wayne ultimately feels so betrayed that he decides to hunt Clift down and kill him. These are two incredibly beautiful men, so it's fun to watch. The human drama is great; the grand cattle drive adventure of it all was far, far less interesting to me. Why am I telling you all this? Oh, right: MOOS. The movie had a lotta MOOS.
- 12D: Title for any male in the House of Saud (EMIR) — easy ... once I read the clue correctly. On first pass, what my brain registered was: "Tiny house for any male Saudi." I was like, "whoa ... obscure. Wait ... why do they have tiny houses? For prayer? Weekend getaways? I want a tiny house!"
- 26D: Brief letters? (BVD) — a very old brand of underwear. Do they still make them? They used to be really common / well-known, but I honestly haven't thought about this brand in years. Decades? "BVDs" were just standard language for jockey shorts. Tighty-whiteys (whities?). Now, I dunno. I did an image search and got like one pair of underwear (from Japan??) and then a bunch of infographics related to something called "Binocular Vision Dysfunction."
- 38D: Fortune competitor (INC.) — they're both business-oriented magazines.
- 67A: "Sorry ... hard pass" ("UM, NO!") — absolutely impossible to differentiate "UM, NO" from "UH, NO" without the cross. "OH, NO" could've worked here as well, though that's usually an expression of dismay or concern.
- 45D: Sixth word of the Gettysburg Address ("AGO") — anybody else literally count it out on their fingers? All of you? I thought so.
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