: rigorously strict or just [...] In Greek mythology, there were three judges of the underworld: Minos, Aeacus, and Rhadamanthus. Minos, a son of Zeus and Europa, had been the king of Crete before becoming supreme judge in the underworld after his death. Aeacus, another son of Zeus, was king of Aegina before joining the underworld triumvirate. Rhadamanthus, brother of Minos and king of the Cyclades Islands, was especially known for being inflexible when administering his judgment - hence, the meaning of "rhadamanthine" as "rigorously strict or just." (Merriam-Webster.com)
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A solid, proper Saturday. Textbook. Hard but doable. Had some real trouble getting started, but once I did, the puzzle opened up nicely, and I never really lost traction again after I finally got out of the top and into the middle of the grid. The only feature I didn't really care for are the highly isolated NW and SE corners. You've just got these teeny tiny corridors to get through, so your flow is maximally interrupted. The consequences of this segmentation were far more dire for me at the beginning than at the end of the solve. It took some work to flesh out the NW corner—I had ORE before EMO (15A: Rock variety) and DIP before SAG (17A: Temporary decline) (I think "DIP" expresses "temporariness" much better, but that's neither here nor there), but I took a chance on ORAL (!) (26A: Kind of health) and then MELvin came in and confirmed ORAL and then JAMES I was like ""Hey, I'm right here! You teach an entire period of literature named after me, how are you not seeing me!?" so that helped, and shortly thereafter: corner done. And yet ...
I could not get from [Taxes] to TRIES with just the -ES in place, nor could I get to IMAGED (such an odd word) from [Scanned, perhaps] with just the "I." So I had to go fishing for short stuff in the adjacent NE corner just so I could get my footing once again, and let me tell you, things went very, very badly at first. My opening pass at alllll the short Downs in the NE was an 0fer ("O"-fer? ... how do you spell that? Anyway, rhymes with "gopher," means "zero for [however many attempts you made]"). Nothing, Nada. No HEM ALAS TEXT SATÉ ASHE FEEL or IDA. I spell "SATAY" like that, so even though that's the answer I wanted, I never thought to spell it "SATÉ," and I definitely considered "FEEL" at 10D: Vibe but I thought MOOD fit better (technically it does, but again, as with DIP, it's simply wrong *for this puzzle*). Incredibly rare for me to scan an entire bank of short answers and come up with absolutely nothing. Weirdly, the longer Downs up there came much more quickly. I took an educated guess with TAM (22A: Flat topper) and ELMS (25A: Trees that canopy Central Park's Literary Walk), which got me STEAMY and RATTLES. Then I changed MOOD to FEEL, and after that, the tail ends of those long Acrosses started coming into view. Finally, it was time to embark on the big, creamy middle:
Once I correctly guessed EKES for 25D: Squeezes, I had KEY at the end of 27A: Super-useful item?, and MASTER KEY seemed the only possibility (such keys are undoubtedly "super-useful," but they are also "useful to the super ... intendent ... of a building" ... which is what the clue is going for with its "?" today). With MASTER KEY in place, the middle didn't stand much of a chance. Also, I lucked into HUGUENOTS, an answer which, like JAMES I, is a prominent part of the early-modern European political landscape, and thus my early English literature courses (the HUGUENOTS are French protestants who faced a lot of hostility and persecution from the Catholic crown) (35A: Religious group affected by the Edict of Nantes).
The middle of the puzzle ended up falling very fast, and then the bottom half of the grid played like a Bizarro top half, with JOANNE WADDLED easily opening up the front ends of the long Acrosses down there, and the secluded SE corner being much easier to break into than the NW corner was to break out of. SHAZAM, a gimme, BAZOOKA, a gimme, ALADDIN and KIA, both gimmes, the end. Ultimately, all smiles, no cringe on this one. I especially like the stacks up top and down below, each of which suggests a coherent scene. THAT'S A FIRST! RELEASE DATE! IMAX THEATER! sounds like hype for a big movie's opening weekend, whereas ONLINE POKER ONE MORE TIME MED STUDENTS sounds like a pitch for a movie in which gambling addiction leads to desperate, criminal behavior at a big-city teaching hospital. Whatever the answers in this puzzle suggest to you, I hope you ultimately saw what I saw: a very well put-together piece of work.
THEME: GROUPTHINK (60A: Intellectual conformity ... or a hint to interpreting 17-, 22- and 51-Across) — theme answers all begin or end with a string of three rebus squares containing an animal (three crows, three lions, and three ants, respectively); to make sense of the answers those squares are in, you have to interpret them as a collective, or group; so a MURDER of crows, a PRIDE of lions, and a COLONY of ants (in the Down crosses, each animal square functions simply as a series of letters):
Theme answers:
(MURDER) (i.e. crow crow crow) MYSTERY (17A: Genre for Agatha Christie or Arthur Conan Doyle)
(PRIDE) (i.e. lion lion lion) MONTH (22A: June)
PENAL (COLONY) (i.e. ant ant ant) (51A: Early 19th-century Australia, for one)
Word of the Day: ISLA Fisher (14A: Actress Fisher of "Wedding Crashers") —
Isla Lang Fisher (/ˈaɪlə/; born 3 February 1976) is an Australian actress and author. She began her career on Australian television. Born to Scottish parents in Oman, she moved to Australia at age six. After appearing in television commercials at a young age, she came to prominence for her portrayal of Shannon Reed on the soap opera Home and Away from 1994 to 1997, for which she received two Logie Award nominations.
Fisher has authored two young adult novels and the Marge in Charge book series. (wikipedia)
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I think this is a great idea for a theme, but it was also a great idea for a theme three years ago when Paolo Pasco published a Fireball puzzle with the same theme. I know that coincidences happen, themes sometimes get repeated completely unintentionally and accidentally, so I'm not exactly outraged, and I'm certainly not making any accusations, but there are a LOT of coincidences when you look at the two puzzles side-by-side. First of all, Fireball puzzles have titles, and the title of Paolo's puzzle was ... "Groupthink." That's the bit that really makes me wince. It's one thing to come up with the same concept independently from another constructor, but to represent *this* theme with precisely *that* word, well, that seems far less probable than duplicating the theme concept alone. But not impossible! Here's Paolo's grid:
As you can see, two of the three animals are the same (crows and lions; Paolo used fish (SCHOOL) where today's NYT constructor used ants (COLONY)). Further, every, single, one of the LION crosses is the same in both grids, and in exactly the same grid position (SCALLION, PAVILION, A MILLION). It's eerie. Now, it may also be by far the most likely way to handle three consecutive LION squares, I don't know, so again, this isn't proof of theft. It's just very hard for me to evaluate today's NYT puzzle when I know the Fireball puzzle exists. The theme is ingenious, and it's elaborate, and if it's already been done, and done so similarly, most anything I'd have to say about today's puzzle I should really be saying about Paolo's. I have no interest in saying which is better; they both execute the theme well. I just feel, I don't know, icky praising a puzzle that has soooooo much in common with another puzzle, particularly a less high-profile independent puzzle. When the behemoth copies the indie (intentionally or no), it just gives me bad vibes.
This puzzle has an Agatha Christie clue for the "murder" answer, Paolo's had a Christie *parody* as its "murder" answer. As with the "lions," all the "crow" crosses are essentially the same (CROWD, MICROWATT, ESCROW), and as with "lions," that similarity may have been inevitable (not a lot of "crow"-containing options). My favorite coincidence, because it's the most bizarre, is that both puzzle's somehow have ISLA Fisher in them (!?!?!?!?!!). In the NYT today, her first name appears as an incidental, non-thematic four-letter name, but back in Paolo's puzzle, the "fish" in her *last* name makes her part of the theme (part of the SCHOOL in PRIVATE SCHOOL). So ... big day for ISLA Fisher. Awkward day for me.
I really like the clue on KAYAK (8D: Boat going back and forth?) (the "back and forth" refers to its being a palindrome, i.e. reading the same in both directions). I also like the redundancy observation in the HIKES UP clue, which I had not thought of before (24D: Boosts, redundantly). And DOMIN(ANT) HAND is a real nice longer answer (29D: Cup holder, usually). The main difficulty of today's puzzle was simply uncovering the theme concept, which took me a while. I got the rebus part quickly enough, but I couldn't make the crows or lions do anything; I tried pronouncing them, or thinking what they're symbols of ... "Is June the birth month of Leos?" I wondered (no, Leos are primarily August). So I just jumped to the bottom of the grid to try to find the revealer, which I got quickly, and though it didn't help immediately, it helped eventually; I'd figured out the meaning of GROUPTHINK before I got to the ants.
Couple of tricky "?" clues today:
27D: Time period, or an anagram of one? (EON)—EON is an anagram of the word "one" (not of a time period)
54A: Water tower? (TUGBOAT)—the old "tower" trickeroo (here, it means something that tows) (you sometimes see the "flower" trickeroo on river clues)
Anyway, sorry to ruin your experience by showing you the earlier version of this puzzle. But not that sorry. See you tomorrow.
A long time ago, I was solving this puzzle and got stuck at an unguessable (to me) crossing: N. C. WYETH crossing NATICK at the "N"—I knew WYETH but forgot his initials, and NATICK ... is a suburb of Boston that I had no hope of knowing. It was clued as someplace the Boston Marathon runs through (???). Anyway, NATICK— the more obscure name in that crossing—became shorthand for an unguessable cross, esp. where the cross involves two proper nouns, neither of which is exceedingly well known. NATICK took hold as crossword slang, and the term can now be both noun ("I had a NATICK in the SW corner...") or verb ("I got NATICKED by 50A / 34D!")