Relative difficulty: Challenging
THEME: TOTAL GRIDLOCK (52A: Nightmarish Manhattan traffic situation ... or a possible title for this puzzle) — Across and Down lines (i.e. rows and columns in the grid) alternate directions, e.g. first row runs east-to-west (i.e. backwards), second row runs west-to-east (i.e. the normal direction), third row runs back east-to-west again, etc. (and same for the Downs columns)
Theme answers:
- ONE-WAY STREETS (19A: Most crosstown thoroughfares in Manhattan ... with a hint to this puzzle's theme)
- SNOITCERID / LLA NI GNIOG (35A: With 41-Across, proceeding willy-nilly)
Johnny Otis (born Ioannis Alexandres Veliotes; December 28, 1921 – January 17, 2012) was an American singer, musician, composer, arranger, bandleader, talent scout, disc jockey, record producer, television show host, artist, author, journalist, minister, and impresario. He was a seminal influence on American R&B and rock and roll. He discovered numerous artists early in their careers who went on to become highly successful in their own right, including Little Esther Phillips, Etta James, Big Mama Thornton, Johnny Ace, Jackie Wilson, Little Willie John, Hank Ballard, and The Robins (who eventually changed their name to The Coasters), among many others. Otis has become widely synonymous with being known as the original "King of Rock and Roll" and the "Godfather of Rhythm and Blues". (wikipedia)
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So since I was not looking at the theme clues, it took me way longer than it should have to grok the theme. I knew RED ANTS was correct (1A: Insects of the species Myrmica rubra) (let it never be said I'm *totally* science-ignorant...), right from the start, but I also knew (or thought I did) that the actor was EWAN McGregor, and both things couldn't be true (or so it seemed). So I flailed there a bunch and moved on. Also wanted 14D: Provisos to be IFS, but it seemed to *start* with "S" so that didn't work. Finally, I wrote in SPAS at 22A: Employers of masseurs and then checked the cross at 23D: Holden's younger sister in "The Catcher in the Rye"—well I absolutely positively knew that was PHOEBE. My sister and I used to make fun of this kid in one of her classes who had to read out loud from the book and kept calling her "Fobe," so that particularly literary name has Stuck Like Glue. I still mentally say "Fobe" every time I see PHOEBE written out. Anyway, SPAS couldn't work with PHOEBE ... unless ... I turned SPAS around. At *that* moment, minutes into my solve, I thought, "Wait, this isn't *$&%&ing themed, is it?" And bam. There's DEMITASSES (12D: Small coffee cups) and THO (33A: Short while?) and I'm off—creepingly off. After that, there's just the awkward work of entering half the answers backwards. Beyond the gimmick, the puzzle is totally ordinary. I mean, do you even remember any of the clues or answers? The only ones I remember are the crossing "?" clues at 37D: Turkey club? (NATO) and 43A: Back on the job? (TEBA, i.e. ABET), where I had to run the alphabet. Totally baffling, and probably the only time today when, after getting the right answer, I thought "OK, yeah, that's good. Fair play." Turkey club? Man. Both those clues are brutal and perfect (Turkey is a country in the "club" that is NATO, in case that wasn't clear) (and if you "back" or support someone in a crime, like a bank "job," then you ABET that person).
OK, it looks like Johnny Cueto is currently pitching a perfect game through six, so I have to go. I am very impressed by this puzzle, architecturally, but I can't pretend to like themed Saturdays, and I can't pretend I haven't seen a (admittedly less ambitious) version of the back-and-forth street thing before, and I especially can't pretend GOING IN ALL / DIRECTIONS makes any sense whatsoever for this particular theme.
Signed, Rex Parker, King of CrossWorld
P.S. Welp, looks like someone got a hit off Cueto as I was writing that last paragraph. Oh well. Still gonna go watch baseball. Because baseball is on. It's baseball season. Baseball. Bye.
P.P.S. And while I was typing the first P.S. the UConn women ... lost??? Whoa. Now I really gotta go see what's up.
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